
In 1971 a film was made about people sleeping rough in the Waterloo and Elephant and Castle area in London. One piece of footage not used in the film was of an unknown homeless man singing these words:
Jesus’ blood never failed me yet
Never failed me yet
Jesus’ blood never failed me yet
This one thing I know, for He loves me so.
Intrigued
Gavin Bryars, an alternative musician who was friends with the film-maker, ended up with reels of the unused footage. He listened to the man’s singing and found himself intrigued.
In the art college where he worked, he used the recording room to copy the singing into a continuous loop. The recording room was next door to a large art studio and he left the tape playing while he went for a coffee. When he returned, he found those in the studio profoundly affected by it:
“When I came back I found the normally lively room unnaturally subdued. People were moving about much more slowly than usual and a few were sitting alone, quietly weeping. I was puzzled until I realised that the tape was still playing and that they had been overcome by the old man’s singing.”
Moving
Bryars realised he had something powerful on his hands. So he created a musical accompaniment which gradually evolves and builds around the man’s singing. The resulting piece is a deeply unusual piece of music – relentlessly repetitious but extremely moving. It has an almost hypnotic power (click here to listen).
BBC Radio 3 recently broadcasted a fascinating programme Never Failed Me Yet all about this song. What adds to the mystery is that no source can be found to this song and it appears that the man improvised it.
Deep faith
The radio programme features my great friend Pam Orchard who runs the charity The Connection at St Martins, one of the key homeless services in central London. As she says:
‘I like the simplicity and authenticity of the man’s singing…I get a sense from him of deep faith, it’s almost like he was singing something with a very clear and explicit religious reference without actually needing the framework of a hymn because it was in him already. Somewhere inside him, he has this sense that he’s going to be alright and that he’ll be looked after.’
Solidarity
Also on the programme is the Rev. Richard Carter, a priest at St Martins, who organises the annual service to remember homeless people who have died. He expresses his initial concerns about the ‘traditional, redemptive theology’ of the words but how his theological nervousness was overcome when he heard it sung:
‘This old man is in many ways doing a service to everybody because he is singing on behalf of all us who long to find that sense of a God who does not fail us, a solidarity which does not fail us, a hope in the future which does not fail us.’
Similarly to Pam and Richard, this song has really got under my skin. Since I first heard it at the St Martin’s service back in 2018 (see the article I wrote then), I have found myself singing it over and over.
Faith, hope and love
Its worth reflecting on why the song has such power.
A key reason is because someone so obviously vulnerable is singing with a moving simplicity. Faith, hope and love is expressed in a context of fragility, pain and hardship.
More than ever, we value the authenticity of ‘lived experience’ and the subjective power of someone sharing their truth.
Deeper truth
But the song represents something deeper than just a subjective, personal experience. It would not have the same power if the man was singing Yellow Submarine or even All You Need is Love.
The power of this song lies in the fact that this man’s song proclaims a deeper truth about where redemption can be found: an objective truth about what Jesus’ self-sacrifice achieved.
The song is a beautiful expression of the deep heart of the Christian hope. That amidst the chipped, fractured and tragic realities of life, redemption can be found.
Higher power
And this redemption cannot be generated through humanitarianism or self-help alone. We need a higher power.
Christian hope lies in the objective truth of what God has done through the death and resurrection of Jesus. As this unknown singer illustrates, this hope is freely available to all; it needs no human mediation or religious ceremony.
Jesus blood never failed me yet. This is our hope. This is our song.
Listen to contemporary stories about how people affected by homelessness have transformed their lives from this panel of Hope into Action tenants speaking at our recent conference.
Discover more from Grace + Truth
Subscribe to get the latest posts sent to your email.


Jon, this blog has never failed me yet! another breathtaking blog post. my favourite bit about the song is ‘fing’ as in ‘one fing I know’. proper sawf lahdan. I thought that this blog may have peaked with your last post but yet again you have reached new heights! wonderfully moving and beautifully written. 9.9/10
LikeLike
wow – Now That’s What I Call Feedback. Very encouraging of you geezer (who should I say ‘fridge-freezer?)
Glad you liked the song – it really gets in your head…
LikeLike
On a discussion in the Baptist Collaboration UK facebook group, Jonathan Greaves wrote this which I found fascinating background to this song:
I was touched hearing this on Radio 3 in 2020. I wanted to know where the song came from, to have embedded its truth in the singer’s heart. Here’s what I discovered.
The reason it is hard to discover its origin is that it is based on the chorus of a hymn, now little sung, called “His love never failed me yet”(https://hymnary.org/…/i_have_walked_on_the_mountain_of…)
The hymn, published in “The Gospel Message No.2” hymn book in 1911 https://archive.org/…/gospelmessage00hall/page/n7/mode/2up Hymn # 7
was written by American Hymn writer, Choir leader and Sunday School teacher James M Black, (1856-1938) who served at Pine Tree Methodist Episcopal Church, Williamsport, Philadelphia
The hymn is about the faithfulness of Jesus in the ups and downs of life.
The singer on the street whose rendition was given orchestral backing would probably have sung it in younger days – probably in a Gospel Hall or Pentecostal church, or Sunday School. They may have just sung the chorus, and definitely interchanged “His blood” for “His love” – a typical Pentecosal thing to do. (According to this blog, this is still done with this song today https://gospelchoruses.wordpress.com/…/he-never-fail…/ )
The singer has slightly adapted the tune in his recollection, and also adapted a snippet in the last line of the Chorus, making this his own personal story in song, which sustained him in the struggles of life.
Maybe this shows the unknown impact of ministry.?
LikeLike
This post beautifully delves into the profound impact of a simple yet deeply moving song sung by an unknown homeless man. The story of Gavin Bryars’ discovery of this recording and its subsequent transformation into a powerful musical piece is truly captivating.
What struck me most is the authenticity and rawness of the man’s singing, expressing faith, hope, and love amidst fragility and hardship. It’s a testament to the power of lived experience and the profound truth that transcends individual circumstances.
The reflection on the deeper truth encapsulated in the song is particularly poignant. It speaks to the universal longing for redemption and the recognition that it can only be found through a higher power. The Christian hope it embodies, grounded in the self-sacrifice of Jesus, resonates with a timeless message of grace and salvation.
Thank you for sharing this thought-provoking exploration of faith, hope, and the enduring power of music to touch hearts and souls. It serves as a reminder of the profound truths that underpin our existence and the boundless hope found in Jesus Christ.
LikeLike
Years ago at a meeting I organised for members of Durham Anglican Cursillo I had the song spooling while I showed a Power Point, beginning with what we know of this song and then Icons of the Lord. The effect on people was palpable.
LikeLike